Triveṇī Vidyā
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Nitya Darśana – Bhagavatī Hṛdaya Darśana
 Vanadurgā Pañcatantra is a poetic symphony woven in the form of ślokas, where the vast Mahārāṇyam (Great Forest) breathes with divine tales. Here, animals converse with plants, rivers murmur to the trees, and the wind carries sacred whispers—all speaking of Vanadurgā, the resplendent Queen of the wilderness. Through these enchanting dialogues, wisdom, devotion, and timeless values unfold, inviting children, elders, and devotees into a world where nature itself sings the glories of the Divine. |  This work is not born merely of a child’s imagination, but of a seeker’s inner vision — who, upon seeing the Devatā in her every reflected form (prati-svarūpa), speaks to those who shed silent tears at the very name of Mā Vanadurgā. (Upcoming Work) |  Taking the seekers of Maa Vanadurgā, like Smriti did in Kyunki Saas Bhi Kabhi Bahu Thi, I will show you and guide you towards the abodes of Her— It's OUR Home Tour—where Her sacred lotus feet have blessed us, Her bhaktas, to receive Her blessings. (Upcoming Work) |
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 This series is an attempt to sketch the ati-madhura prema—the supremely sweet love—that the Kirātarūpadhara Antaryāmī Nārāyaṇa Īśvara holds for Mā Vanadurgā. Normally, people think only of the Rāsa-līlā or Gopī-dance when it comes to Viṣṇu. For most, imagination stops at “Kṛṣṇa = Viṣṇu.” But the shade of the Primordial Īśvara is far more intense. He is silent. He is calm. He is ruthless. He is completely, fiercely serious when it comes to our Mother, Mā Vanadurgā. (Upcoming..) |  mahāṛṣi-atripatnyāḥ mahāsatyā anasūyāyāḥ dṛṣṭāntaḥ Śrī Mātā Anasūyā is not merely the wife of the great Atri, one among the ancient Saptarishis. She is the mother of Śrī Datta Bhagavān — the sacred womb that brought forth Nārāyaṇa Himself. The most crucial teaching associated with her comes not through formal instruction, but through the power of her own example. In the following pages, I will reflect upon that teaching and present my understanding of its deeper meaning. (Upcoming Work) |  viṣapāyī amṛtadātā Based on the Primordial Rudra — the lone supreme being who alone can transform poison into nectar, who drinks the poison Himself and distributes only nectar to the worlds. (Upcoming Work) |
In this final stream of vision, the sādhaka turns inward
— from the cosmic vastness of Her Vīraṭa-svarūpa
to the tender nearness of Her Hṛdaya-darśana,
the revelation of Her heart.
Two works arise in this section:
Vanadurgā Pañcatantra
– where the paśus — the beings of the forest
— speak, reveal, and whisper what the humans could not.
Through their tales, gestures, and silences,
the Mahāraṇyam becomes a sentient scripture.
The forest breathes Her name.
Vanadurgā Rūpa-Cihna
– a subtle unveiling of Her form,
which is usually veiled by the vast sārī that enwraps the entire universe.
Here, in glimpses, we behold Her reflected self
— prati-svarūpa
— through the ripple of leaves,
the curve of a river, the tremble of longing.
This is the Hṛdaya-darśana
— where one no longer seeks Her outside,
nor imagines Her afar.
She is seen in every form,
felt in every silence,
and known through every breath.