Triveṇī Vidyā

Nārāyaṇī —The Śakti
Lakṣmī, the primordial name of Śakti, is revealed in the Sītā Upaniṣad as Trivarṇā—the Divine in three eternal modes: Śrī, Bhū, and Nīlā. These correspond to the three cosmic powers, icchā (will), jñāna (knowledge), and kriyā (action), through which the Absolute manifests, sustains, and nourishes the universe.
This Trivarṇā Lakṣmī is the core of our Vidyā. We can suffix or prefix - Mahā, Parā or whatever, core always remains Lakṣmī whom we worship as Śrī Vanadurgā Mahāvidyā.

Nitya Upāsanā – Prathama Cāraṇa

In this first movement of daily worship

— the Pādukā Cāraṇa

— we invoke the grace of Bhagavatī

through a sacred hymn dedicated to Her Pādukās.

The sequence begins with Vana Durgā Mahā Dhyānam

— a deep meditation centered on Her divine Pādukās.

This is followed by Śrī Devī Vana Durgā Mahā Pādukā Divya Stavam,

a hymn of remembrance (smaraṇam) offered to Her sacred feet.

Next, we offer praise to Her vāhana

— the devoted bearer of Śakti upon his shoulders

— through the Vana Durgā Vāhana Stuti.

Finally, we conclude with Vana Durgā Mahāstuti,

also known as Śrī Devī Vanālaṅkāraṃ Stuti,

a grand hymn glorifying the Goddess

in Her forest-enshrined splendour.

This Mahāstuti may be recited either at the beginning or at the end of the upāsanā

— let the heart guide its placement in your sādhanā.

Nitya Upāsanā – Dvitīya Ārādhanā Bindu

Sri Devi Akashavani Vanadurga Aradhana Lahari

Tears must arise simply upon hearing the name of one’s Īṣṭa Devatā.

That is the true fruit of ārādhanā — not rituals alone,

but the heart that melts over lifetimes to finally weep for the Beloved.

Ārādhanā has been performed across countless births just to awaken those tears

— where love becomes bhakti,

and bhakti becomes union.

This section of the work focuses on the inner method of ārādhanā

— how to worship Mā Vanadurgā with a heart undistracted and wholly offered.

With the revelation of Ākāśavānī — the voice from the vast ether

— the principles of tattva become clear,

anchoring the sādhaka in one-pointed devotion.

Thus, this composition is named:
Śrī Devī Ākāśavānī Vanadurgā Ārādhanā Laharī

The Śrī Devī Ākāśavāṇī is your MAP—the GPS.
It reveals itself as the TRACKER only when you WALK the PATH of Triveṇī Vidyā with unwavering sincerity.

This is the only module presented as Ārādhanā.

Triveṇī Vidyā is contained here in its entirety.

In truth, this itself is the Sūtra

—presented with everything one will ever need.

The complete essence of

Triveṇī Vidyā is revealed,

articulated, and

curated as one

WALKS the PATH.

Nitya Upāsanā – Tṛtīya Triveṇī Stotranī

Triveṇī Mārga —the Path of Rudra

Nitya Darshana – Bhagavatī Virāṭ Svarūpa Darśana

This section contains two key revelations:

Vanadurgā Carita Caraṇam Citram

— a visionary portrayal of Her divine feet and path,

inspired by the Tripura Rahasya

Vanadurgā Mahābhāratī

— drawn from the spirit of the Devī Māhātmyam

These are not tales of battles or asuras, nor merely stories of events.

Instead, they attempt to sketch a glimpse

— a Citra

— of Her Vastness,

Her Virāṭ-rūpa,

the cosmic form of Mā Bhagavatī.

Here, Carita is not linear narrative,

but darśana — a sighting.

These works help the sādhaka to sense the immeasurable reach of Her being,

beyond form and yet present in every form.

Nitya Darśana – Bhagavatī Hṛdaya Darśana

In this final stream of vision, the sādhaka turns inward

— from the cosmic vastness of Her Vīraṭa-svarūpa

to the tender nearness of Her Hṛdaya-darśana,

the revelation of Her heart.

Two works arise in this section:

Vanadurgā Pañcatantra

– where the paśus — the beings of the forest

— speak, reveal, and whisper what the humans could not.

Through their tales, gestures, and silences,

the Mahāraṇyam becomes a sentient scripture.

The forest breathes Her name.

Vanadurgā Rūpa-Cihna

– a subtle unveiling of Her form,

which is usually veiled by the vast sārī that enwraps the entire universe.

Here, in glimpses, we behold Her reflected self

— prati-svarūpa

— through the ripple of leaves,

the curve of a river, the tremble of longing.

This is the Hṛdaya-darśana

— where one no longer seeks Her outside,

nor imagines Her afar.
She is seen in every form,

felt in every silence,

and known through every breath.

This webpage is for all compostions and work I have started through the boundless blessings of my Swa Guru, Maa Sharada Ramakrishnaaya, without whose grace this offering would not have been possible. I remain forever nothing without their divine guidance.